Posted by on Apr 6, 2009 in
Journalism,
Writing Books

Think you’ve got a book inside of you? Anne Lamott isn’t afraid to help you let it out. She’ll help you find your passion and your voice, beginning from the first really crummy draft to the peculiar letdown of publication. Readers will be reminded of the energizing books of writer Natalie Goldberg and will be seduced by Lamott’s witty take on the reality of a writer’s life, which has little to do with literary parties and a lot to do with jealousy, writer’s block and going for broke with each paragraph. Marvelously wise and best of all, great reading.
From Publishers Weekly
Lamott’s ( Operating Instructions ) miscellany of guidance and reflection should appeal to writers struggling with demons large and slight. Among the pearls she offers is to start small, as their father once advised her 10-year-old brother, who was agonizing over a book report on birds: “Just take it bird by bird.” Lamott’s suggestion on the craft of fiction is down-to-earth: worry about the characters, not the plot. But she’s even better on psychological questions. She has learned that writing is more rewarding than publication, but that even writing’s rewards may not lead to contentment. As a former “Leona Helmsley of jealousy,” she’s come to will herself past pettiness and to fight writer’s block by living “as if I am dying.” She counsels writers to form support groups and wisely observes that, even if your audience is small, “to have written your version is an honorable thing.”
Copyright 1994 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.
![Reblog this post [with Zemanta]](http://img.zemanta.com/reblog_e.png?x-id=e9e1bfab-aa95-43f7-9328-556c6a606d5a)
Tags: Anne Lamott, Arts, Bird, Bird by Bird: Some Instructions on Writing and Life (Paperback), Literature, Natalie Goldberg, Weblogs, Writer, Writers Resources
Posted by on Jan 2, 2009 in
Screenwriting,
Writing Books

At the beginning of The Writer’s Journey, Christopher Vogler asserts that “all stories consist of a few common structural elements found universally in myths, fairy tales, dreams, and movies.” Some may be hard-pressed to accept this idea (and will wonder how storytellers from Homer to Shakespeare to Robert Altman might respond to the proposition). Others may imagine that since Vogler uses movies like the Star Wars trilogy and The Lion King to defend his mythological philosophy, he is, unwittingly, listing the reasons why Hollywood films of the last 20 years have been so unimaginative. But there’s no doubt that Vogler’s notion, based on psychological writings by Carl Jung and the mythmaking philosophy of Joseph Campbell, has been profoundly influential. Many screenwriters have used Vogler’s volume to understand why certain scenarios sell, and to discover a blueprint for creating mythic stories of their own. Now in its second edition, The Writer’s Journey sets forth archetypes common in what Vogler calls “the hero’s journey,” the mythic structure that he claims all stories follow. In the book’s first section, he lists the different kinds of typological characters who appear in stories. In the second, he discusses the stages of the journey through which the hero generally passes. The final, supplementary portion of the book explains in detail how films like Titanic and The Full Monty follow the patterns he has outlined. –Raphael Shargel –This text refers to an out of print or unavailable edition of this title.
![Reblog this post [with Zemanta]](http://img.zemanta.com/reblog_e.png?x-id=4aa69557-9315-480a-9a8b-851337645124)
Tags: 3rd Edition (Paperback), Carl Jung, Christopher Vogler, Cinema of the United States, Full Monty, Joseph Campbell, Lion King, Literature, Star Wars, The Writers Journey: Mythic Structure for Writers